Monsieur Debienne He can tell that Christine loves him, too, but she tries to send him away frequently, worried that Erik, the phantom, will hurt him. Carl Jung theorized that we are born with innate tendencies to perceive things a certain way: "a kind of readiness to reproduce over and over again the same or similar mythical ideas . The Paris Opera House rose to pre-eminence in the eighteenth century. He and Christine agree to a secret engagement, but when their engagement becomes publicized the phantom abducts Christine. © 2020 eNotes.com, Inc. All Rights Reserved. There are over seventeen storeys, seven of which are below the stage level; the stables for the opera horses still exist. There is a monument to La Carlotta. The Phantom of the Opera Characters Gaston Leroux This Study Guide consists of approximately 28 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Phantom of the Opera. It is with regret that I assure you it hasn’t changed at all: for the sake of the passer-by who hasn’t been warned, let me say that it looks like a railway station. "The Phantom of the Opera" by Gaston Leroux is a novel about a mysterious "phantom" who lives in an opera house. It was a hotbed of politics and factions. Even today, it employs over a thousand people and contains two permanent ballet schools within the building. Order our The Phantom of the Opera Study Guide, teaching or studying The Phantom of the Opera. He promises her the freedom to leave him but then, unable to let her go, kidnaps her and gives her a short time to consent to marry him before killing her. This was usually at the start of Act III. The gentlemen could dine before arriving at the theater in time to see their various young ladies in the corps de ballet. "Everybody knows the Paris Opéra, at least by reputation. Later, he is found drowned in the lake that protects the phantom’s house from the outside world, but the phantom denies any responsibility for his death, saying that Philippe fell out of his boat by accident even before any of the lake’s traps could get to him. His music was accessible, his characterization brilliantly aided by his command of orchestration and he relished stage spectacle. This is most seen... Who are the major characters in The Phantom of the Opera? All rights reserved The Really Useful Group, Why collaborative partnerships are the way to grow your agency, Why WordPress coding standards are everything, Our first e-book is here, here is how you can get it, Weekly round-up of WordPress news – Vol 21, Weekly round-up of WordPress news – Vol 20, Weekly round-up of WordPress news – Vol 19, Weekly round-up of WordPress news – Vol 18, Weekly round-up of WordPress news – Vol 17, How to find the best WordPress developers for you: Part 10 – Security. They fail, and Raoul is in danger of drowning before the phantom has a change of heart and agrees to let Christine leave with him, even though it breaks his heart and he dies as a result. ." Hugo in his preface to Cromwell (1827) wrote “the stage should make as complete as possible the illusion of reality”. Carlotta Later in the book, the Persian guesses that the phantom killed Buquet with a device called the Punjab lasso. The dramatis personæ of various incarnations and sequels to The Phantom of the Opera, as well as those who may have been mentioned but never appeared in these works. Philippe de Chagny This Study Guide consists of approximately 28 pages of chapter summaries, quotes, character analysis, themes, and more - The phantom threatens her if she goes onstage as Marguerite in Faust, but she refuses to be intimidated; as a result, the sound of a croaking frog comes out when she sings. Aladdin (1822) by Isouard introduced gas lighting to the stage. Joseph is a stagehand who has seen the phantom in the opera house’s third basement. As he was dying, he explained to her that he would remain with her and guide her through the Spirit of... Get The Phantom of the Opera from Amazon.com. That night, though, she runs into Raoul de Chagny, whom she met and fell in love with as a child; her love for Raoul makes Erik jealous, who does what he can to make her his. One of the primary themes of The Phantom of the Opera is the difference between appearance and reality, as well as what can happen when people fail to understand that difference. Erik Erik is the name that the phantom of the Opera has taken for himself; his real name is never revealed in the book. Anyone familiar with a large opera house would testify that it is an extraordinary labyrinth of people and passageways, but the Paris Opera House of the last quarter of the nineteenth century, in which Gaston Leroux set The Phantom of the Opera, was remarkable by any standards. The Paris Opera’s eruption of Vesuvius was legendary, employing real stones and the titles of operas alone convey everything: Le Siege de Corinth (Rossini), La Muette de Portici(Auber), Robert Le Diable (Meyerbeer) (noted for its Phantom of the Nuns effect) and, of course, Gounod’s Faust, the opera which is the backdrop to the Leroux novel. The original version was built by 5 people in 4 weeks. Joseph Buquet The Paris Opera House survives in much the same form described in the novel. He is found hanged in the cellar, but when people go to retrieve his body, the rope is missing. Raoul de Chagny . He was born deformed, and it was his mother, whom Eric refers to several times, who gave him his first mask. It is 3 metres wide and weighs one ton. Carlotta is the opera's female lead, for whom Christine Daaé is an understudy. Our summaries and analyses are written by experts, and your questions are answered by real teachers. Joseph is a stagehand who has seen the phantom in the opera house's third basement. The phantom threatens her if she goes onstage as Marguerite in Faust, but she refuses to be intimidated; as a result, the sound of a croaking frog comes out when she sings. But once you’re inside you’ll be more likely to mistake it for a Turkish bath. everything you need to sharpen your knowledge of The Phantom of the Opera. His grand operas were a masterful potpourri of components. As a young singer with the Paris Opera, Christine heard Erik speaking to her from behind a wall; she asked if he were the spirit that her father had told her about, and for a while he said that he was. The phantom symbolizes the contrast between what is real and what isn't. The dazzling replica of the Paris Opera House chandelier is made up of 6,000 beads consisting of 35 beads to each string. The huge building was constructed to designs by Charles Garnier from 1861-1875. Overview and Characters. From prima donna to stage-hand, the Opera House was governed by intrigue and rumor; everyone jostling for position, defending their own territory and scrabbling for new. The Phantom, whose real name is Erik, resides beneath and haunts the Paris Opera House, one of the most beautiful buildings in all of Europe in the late 19th century. Spectacle was all. At the time in which the novel is set, the Opera House boasted over fifteen hundred employees and had its own stables of white horses for the opera troupe underneath the forecourt. Anyone familiar with a large opera house would testify that it is an extraordinary labyrinth of people and passageways, but the Paris Opera House of the last quarter of the nineteenth century, in which Gaston Leroux set The Phantom of the Opera, was remarkable by any standards.The huge building was constructed to designs by Charles Garnier from 1861-1875. Forty-one-year-old Count de Chagny, whose given name is Phillippe-Georges-Marie, is the oldest of his family and since the deaths of his parents has been responsible for one of the oldest families in Europe, which includes his brother Raoul, who is almost half his age. The Phantom of the Opera (aka Erik, the Opera Ghost, and the Angel of Music): titular character,... What are the 3 main symbols in The Phantom of the Opera? Key also to Paris formula was the ballet. Indeed the Paris Opera always prided itself in its innovation. Christine Daaé Indeed, Mozart was not performed at the Paris Opera until the early 1800s and then only in a severely adapted form.